Yeah Yeah Yeah: The Beatles & Bournemouth

Yeah Yeah Yeah: The Beatles & Bournemouth
Click on the cover for information about the book. Available to order now.
Showing posts with label Sandbanks Ferry. Show all posts
Showing posts with label Sandbanks Ferry. Show all posts

24 July 2014

John, Mimi and family and Sandbanks

I stumbled on the excellent Tumblr page CynthiaLennonLove recently and found a post dedicated to John and Mimi at Sandbanks, complete with photos of various family members.

The text recounts the story told in the book Yeah Yeah Yeah: The Beatles & Bournemouth, of John and Cynthia taking Mimi house hunting for a property by the sea after the premiere of Help! They settled on a bungalow called Harbour's Edge, at 126 Panorama Road, Sandbanks, which John bought for £65,000. Mimi moved in during October 1965 after which John and Cynthia and baby Julian became fairly regular visitors, particularly in the summer of 1966, as 
seen in these photos.
The first shot (above) shows Mimi sat outside at Harbour's Edge. Pictured right is Cynthia on a family visit with John's aunt Harriet and halfsister Jacqui Dykins (taken from Julia Baird's book John Lennon My Brother) and below that from the same book is a snap of John relaxing with his cousin.

The story goes that John called Harbour's Edge "The most beautiful place I know" and loved visiting because people would leave him alone.
Cynthia recalled one trip to the seaside at Sandbanks where they frolicked on the beach, built sandcastles, swam and enjoyed a picnic with Julian.

Much later Mimi remembered one instance when a photographer tried to snap John and the family on the beach. She was horrified but her nephew must have been in a forgiving mood, telling her not to worry and that he hoped whoever tipped off Fleet Street's finest had 
managed to make a couple of bob!


John also managed a visit with Julian in April 1967, in the run-up to the release of Sgt Pepper's Lonely Hearts Club Band on 1 June.
On that occasion he and Mimi were photographed with Julian by the Sandbanks Ferry. This image of Julian appears in Andrew Solt's book Imagine.

Mimi lived at Harbour's Edge until her death in 1991, at which point John's widow Yoko sold it. Other than a few squatters and some rave parties the house remained empty until it was demolished in 1994 to make way for two luxury homes. Sandbanks now boasts the fourth most expensive land prices in the world behind Belgravia, Upper Manhattan and Moscow, but ahead of Tokyo and Paris.

Read the full post here. Former milkman Tony O'Hara shared more memories of Mimi at Harbour's Edge and an account of what Sandbanks was like in the 1960s and 1970s, in this article from Dorset Life

30 January 2014

A Hard Day's Night talkin' Beatles

Word is building about this year's inaugural Purbeck Literary Festival and tickets are already selling well for the screening of A Hard Day's Night at Swanage Legion on 22 February.
I've been asked to introduce the screening with an hour or so of talk about The Beatles and their Dorset links, followed by a Q&A for anyone who wants to know more. I'll also be showing some of the 200+ images from my book Yeah Yeah Yeah: The Beatles & Bournemouth, but I'm afraid if anyone wants  the famous shot of John, Julian and Mimi coming off the Sandbanks ferry they'll have to buy the book.
The wonderfully discerning online multi-mood machine/magazine Eyeplug has recently run an interview with me all about writing the book and getting it out there. You can read it here.

8 June 2013

John Lennon - 'The most beautiful place I know'



It was the summer of 1965 when John Lennon decided to get his beloved Aunt Mimi out of Liverpool and away from the fans that besieged the home in Menlove Avenue where he had spent most of his childhood.
He spent £25,000 on Harbour's Edge, a six-bedroom waterside bungalow at 126 Panorama Road, right by the Sandbanks to Studland chain ferry. He called it 'the most beautiful place I know'.
The neighbours kept to themselves and there was no more intrusion on her life than Mimi wanted. Her move that September was reported in the local press, but the rest of the world didn't much care.
Earlier that year The Beatles had recorded songs such as Help! and Ticket To Ride, in which John appears to be confronting the reality of his fame. Perhaps he recognised Sandbanks as a place he could hide away?
He certainly visited as often as he could over the next couple of years.
And perhaps his relationship to the area is perfectly encapsulated by the terrific photo that features in Yeah Yeah Yeah: The Beatles & Bournemouth in which he appears with Mimi and his son Julian by the ferry, clutching the boy on one hand a bucket and spade in the other. He's glaring at a cameraman who's presence is unexplained, although it might be the local TV press that Mimi referred to in an interview not long after John's death in which she blames the ferryman for tipping off the press who interrupted a private visit.
Conversely, Cynthia Lennon recalls John cavorting on the beach in a sun hat, shorts and blouse, turning cart wheels and totally ignored by the wider world.
John's love of Sandbanks - and the photo from the book - inspired Dorset artist Stephen Bishop to create this painting, The Collector, in tribute.
'I painted the homage to John Lennon as I am a fan of his solo and Beatles work,' says Stephen. 'I love the Beatles and think they exemplify artists who are both creatively fantastic, experimental and successful. I love the way they developed in such a short space of time. They inspire me.
'Born in 1963 and enjoying family holidays in Purbeck (camping at Tom's Field in Langton Matravers) I have fond memories of taking the ferry at Sandbanks from the late 60s onwards. I adore the photo of John with Mimi and Julian.  
'I feel an emotional attachment to what it represents. It shows a proud father with his son and I find it touching as this relationship wasn't as full or constant as either would have liked it to be. In my painting, The Collector, I have also referenced images from earlier times in Dorset.  
'The figure sharpening a scythe replaces the photographer in the photo and for me is a intimation of what would happen to John in New York, a victim of his fame. The Collector is the title of a John Fowles novel that I like  and also refers to the toll that must be paid to cross on the ferry.'
More of Stephen's new work will be on show at the ARThouse Gallery in Bournemouth's Russell-Cotes Museum in August.
He'll also be exhibiting at L'Artishe Contemporary Art Gallery, Swanage from 21 September to 12 October.
:: Order Yeah Yeah Yeah: The Beatles & Bournemouth at a special price from here.
:: More about Stephen Bishop at www.stephenbishop.co.uk.

26 February 2012

Love from Liverpool...

My lords, ladies and gentlemen, it gives me considerable pleasure to proudly announce that our own dear Beatles tome, Yeah Yeah Yeah: The Beatles & Bournemouth has made a bit of a splash back where it all began - in the fair city of Liverpool.
Catherine Jones, arts editor at the Liverpool Echo, has written a magnificent feature about the book with the printed edition carrying a fine selection of photos including the incredibly rare shot of John with baby Julian and Aunt Mimi by the Sandbanks Ferry.
The feature appeared in the paper dated Monday, 20 February 2012 if you want to order copies.
You can read the full feature here.

31 January 2012

Lennon cover

The February issue of Dorset magazine features an exclusive extract from Yeah Yeah Yeah: The Beatles & Bournemouth that details how John came to buy a home for Aunt Mimi on the shores of Poole Harbour at Sandbanks. 
The incredible cover shot has been licensed from photographic artist Jayson Hutchins whose nan Rose Payne owns the photo having inherited it from her friend Betty Derrick. John is wearing the famous Afghan coat he wore to the press launch of Sgt Pepper on 19 May 1967 and is holding a bucket and spade in one hand and four-year-old Julian in the other. It looks as if they have just stepped off the ferry at Sandbanks, a few yards from Mimi's home - perhaps they had just been across the water to Shell Bay to play in the sand?
Intriguingly, the man to left of the cropped image appears to be holding a film camera... could this footage survive somewhere? Was it something official? John appears to be looking directly at the camera, did he know what the film was for?
Do you know the answer? If you can shed any light on the mystery email me here.
In a tidy little footnote to the story, years later Julian Lennon bought the coat back for his personal collection.
The full story - and many others relating to John's visits to Sandbanks - can be found in Yeah Yeah Yeah: The Beatles & Bournemouth which can be ordered at the special price of £14.95, here.
You can order a copy of Dorset magazine from here.

24 January 2012

Photos shine at Lighthouse

John and Ringo at the after show party in the bar at the Bournemouth Gaumont with reporter Tony Crawley and his wife, the actress Jeanette Wild. Photo by Harry Taylor © Dave Robinson

An exhibition of photographs from Yeah Yeah Yeah: The Beatles & Bournemouth and Poole will be displayed on the top floor foyer at Lighthouse, Poole’s Centre for the Arts from 1 February to 10 March.
The exhibition features photographs, posters and stories from the book and author Nick Churchill will be at Lighthouse for the launch of the exhibition on 1 February to sign copies of his book from 6.30pm.

With stunning images of The Beatles taken in and around Bournemouth and never-before-seen images of John Lennon’s aunt Mimi at home in Sandbanks, the story is told using first-hand accounts from the people who were there – the fans, reporters, photographers, venue staff and musicians.

Exhibition highlights include Robert Freeman’s iconic half-shadow photo that adorned the With The Beatles album sleeve which was taken in the restaurant at the Palace Court Hotel in Westover Road (now a Premier Inn) during the Beatles’ week-long summer residency at the Gaumont in August 1963. Also on show are

 posters from Beatles shows at the Bournemouth Gaumont and Winter Gardens, plus a remarkable colour photograph of John Lennon by the Sandbanks Ferry in Poole with his Aunt Mimi and four-year-old son Julian.

Lighthouse also hosts a Beatles Film Special on 28 February, with a screening of Richard Lester’s classic A Hard Day’s Night, which perfectly captures The Beatles in all their irreverent glory.

Nick Churchill comments: “Interest in The Beatles is as strong as ever and this part of the world played a significant part in their incredible story. The reaction to the book and these remarkable images has been astonishing and I’m really excited to see these photographs showcased in one of the south’s premier arts venues.”

Nick would love to hear new stories from anyone who saw The Beatles in Bournemouth and especially from people who met them.

“The links between this area and The Beatles are made even stronger by people’s memories of seeing the Fab Four or meeting them,” he says. “I’m sure there are lots more stories to be told by hotel and venue staff, fans or even passers-by who may have encountered John Lennon on a trip to Sandbanks to visit his Aunt Mimi.”

Paul Tucker, communications officer for Lighthouse adds: “Lighthouse is thrilled to have such an extraordinary exhibition in the building and it’s incredible to see photographs of members of such an iconic group in such recognisable local locations like Sandbanks and Westover Road. The top floor foyer is an ideal space to display exhibitions and we are using it regularly now, with particular focus on work either by local artists or that has an interesting local connection.”

Yeah Yeah Yeah: The Beatles & Bournemouth is published by Natula Publications, and will be available from Lighthouse ticket office shop or www.beatlesandbournemouth.com


- The photos are on show again this summer, from 9 July until 5 September in the Bourne Lounge at Bournemouth International Centre.


12 December 2011

Yeah Yeah Yeah: The interview


Author Nick Churchill spoke to Scoop of the Day on Wave 105FM about the connections between The Beatles and Bournemouth. Here is a YouTube clip showcasing the interview and some of the photos from the book. You have been watching...

25 October 2011

British Beatles Fan Club review

Not only did they put us in touch with Mimi's nurse Lynne Varcoe and allow us to use their interview, but The British Beatles Fan Club magazine has given a Macca-style thumbs up to Yeah Yeah Yeah: The Beatles & Bournemouth.
Here's the text...



A wonderful 178 page book depicting The Beatles’ visits to Bournemouth and the surrounding area compiled by Nick Churchill, a journalist who has spent over 25 years working in and around Bournemouth.
There are some fascinating photographs included from their week of shows at the Gaumont in August 1963 (incidentally, outside of London this is where The Beatles played the most theatre shows during their career).
The With The Beatles album sleeve was also photographed here, at the Palace Court Hotel, and of course John bought his Aunt Mimi a house in Sandbanks, just outside of Bournemouth. All of this is wonderfully documented, including accompanying photographs and memorabilia. The chapter on Aunt Mimi is particularly fascinating – something I have not seen in any previous Beatle book. It includes a wonderful colour shot of John, Mimi and Julian at Sandbanks Ferry terminal.
The book moves on to solo Beatles performances in Bournemouth, from Paul McCartney and Wings in 1973, right up to the present day with Ringo’s recent gig there earlier this year.
All in all a new Beatle book that will please readers, particularly those local to Dorset and those who want to know more about Mimi (for me these pieces are the most interesting, which also include personal letters from Mimi to fans, after John’s passing).
There are some wonderful unseen photographs of The Beatles both as a group and solo artists, in this book.
Ernie Sutton

Yeah Yeah Yeah: The Beatles & Bournemouth is available to order now from www.beatlesandbournemouth.com